Learn about the music industry and publishing your music in the new digital age. With the advancement of online sales and distribution channels, self publishing opportunities and social networking, the future is golden for the independent music publisher. The author of this book has worked with artists in various businesses including, Bob Dylan, Keith Richards, U2, Reba, Celine Dion, Metallica, Seal, Merritt Mountain Music festival, Indiefest 2010, and many others, too numerous to mention.
Did you ever see a fantastic movie and want to make your own to show an audience? Have you wondered how the film industry looks at theater, television, video-on-demand, lap tops, tablet computers, smart-phones? If you had your movie, how would you publicize it? What would make people want to watch it? How would you make that happen? This book will describe a the many forgotten basics of the movie making business and then show how the publicity machine really works. You have the ability to create a quality film piece and present it to a wide audience. It doesn't have to be a full time endeavor. Also, it doesn't have to be expensive. Today's technology allows for film making that anyone can afford. You just need to be guided through the right tools for you to succeed. That's what this book does. The business of film and movies is an art. Being an art, there are different slants of thought on the topic. Take this book as my slant and consider what is offered only a suggestion. I will not step on toes as I respect the art and the business of all film producers. The goal of this book is to have you be proud of your success and to be excited to tell me about it. I truly want to celebrate your new or next film. It's hard work that deserves to be shared to an audience.
The search for the origins of language was one of the most pressing philosophical issues of the eighteenth century. What has often escaped notice, however, is the fact that music figures prominently in this search. This study analyses instances of thinking or reasoning about music and music theory as they appear within the logical and narrative structure of contemporary texts, including writings by Rousseau, Diderot, Rameau and Condillac. These can only be properly understood as part of an interdisciplinary project, as situated within a field of larger cultural issues and concerns. The author is interested in the ways in which music functions within this discursive framework to facilitate links between language and meaning, and between conceptions of an original society and an ideal social order.
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