From Dixieland and boogie woogie to swing, blues, jazz, bop, Latin, and rock music, this title offers a variety of styles. Along with music to fifteen songs, downloadable MP3s provide a chance to play with a top Broadway trombonist.
This original collection of more than thirty pieces for beginning flutists includes traditional airs such asScarborough Fair, Ode to Joy, Prelude to the Afternoon of a Faun, and other classical favorites. In addition to selections from the standard flute repertoire, this volume offers Spanish songs and ragtime melodies. A free MP3 download is available for each tune, offering students the chance to familiarize themselves with the featured melodies, which include:
This book offers the first musical, cultural, and technological history of loudness, highlighting how loudness calls attention to musical, discursive, affective, and technological continuities that stretch across seemingly disparate traditions. Devine focuses especially on the years since 1915, when the forerunner of the modern loudspeaker was invented, and thus when loud sound became possible in new ways. The book corrects the fact that loudness remains surprisingly un-theorized and un-historicized, especially considering its longstanding importance as a source of pleasure, an object of criticism, and an engine of technological change. In exploring topics ranging from the role of dynamics in music theory to the problematic status of the decibel in the acoustic sciences, and from debates about orchestration technique to criticism in jazz, rock, and disco, the bookbreaks away from the generic and stylistic orthodoxies that circumscribe existing histories of twentieth-century music. Examining how loudness inflects central issues in music studies, including taste, race, gender, and youth, it argues that the crescendo model of the history of loudness stems from an impoverished understanding of music and sound as functions of their social settings. This volume charts an interdisciplinary path forward for music studies, highlighting the insights that can be gained when popular music is studied alongside various forms of art music and acoustic mediation, as overlapping phenomena in a shared history of sound and listening.
Internationally published poet and author Ronald Joseph Kule coined the word "Haikulisms" (a play off his surname) for his series of haiku poetry designed to uplift moods and give pause for thought by featuring different subjects. This volume focuses on jazz music.This particular collection of Haikulisms is based on Kule's love affair with jazz music, which began when he was about eight years old. He listened to his Dad's collection of vinyl recordings for hours. Other volumes in the series, like Romance & Sensuality, make reading haiku a sweet experience and a collectible, expanding gift!
Serial or 12-tone music has proved to be an enduring 20th century style that has generated a wide range of writings. This much-needed work provides the only comprehensive, up-to-date guide to research on serial music, offering an annotated bibliography with nearly 500 citations from books and journals from 1950 to 1995.
Lewisham Hotel Articles
Lewisham Hotel Books