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In the late 1990s, the MP3 became the de facto standard for digital audio files and the networked computer began to claim a significant place in the lives of more and more listeners. The dovetailing of these two circumstances is the basis of a new mode of musical production and distribution where new practices emerge. This book is not a definitive statement about what the new music industry is. Rather, it is devoted to what this new industry is becoming by examining these practices as experiments, dedicated to negotiating what is replacing an "object based" industry oriented around the production and exchange of physical recordings. In this new economy, constant attention is paid to the production and licensing of intellectual property and the rise of the "social musician" who has been encouraged to become more entrepreneurial. Finally, every element of the industry now must consider a new type of audience, the "end user", and their productive and distributive capacities around which services and musicians must orient their practices and investments.
St Martin of Tours was a protector saint of numerous French kings. His was one of the most successful saintly cults in medieval Europe, and the city of Tours functioned as a religious metropolis, drawing pilgrims from all over the continent. Until now, little has been known about how St Martin came to inspire such a lively folkloric tradition, numerous works of art, and the establishment of thousands of churches and numerous confraternities. In this book, Yossi Maurey addresses these questions by focusing on the church dedicated to the saint in Tours, which acted as the crucible for Martin's cult. Maurey explores the music and liturgy of the cult - the most effective means of its dissemination - to reveal its enormous diffusion and impact. Building a more concrete picture of how saints' cults operated and shaped medieval realities, this book also provides new insights into the interactions between contemporary religion, art and politics.
I grew up on the tales I heard around my Grandma Frank's kitchen, of life in Kentucky, as told by my mother, Nora, Aunt Lucille, Aunt Annie, Cousin Etta and Grandma. They told ghost stories about Indian princesses and big stallions, funny stories about the big ol' sway back white horse, Dollar. Scary stories, told by the kids as they walked to school, about the wolves following them on the edge of the woods. They fed them biscuits from their shortening can lunch buckets, thinking they were dogs. Stories of fireballs racing through the house at night. Little people, romance, magic, herbs, medicine men and women, witches and Indian kidnappings. I didn't want these stories to be forgotten so I wrote 'The Cumberland Witch' for my grandchildren. But there were so many stories that I couldn't fit into the novel that I began a sequel, 'Cumberland Music'. I named the heroine Music for the 105-year-od midwife that delivered my father in 1912, one week after the Titanic sank.
Chapters include, but not limited to: The Daily Miracle - The Desire to Exceed One's Program - Precautions before Beginning - The Cause of the Trouble - Tennis & the Immortal Soul - Remember Human Nature - Controlling the Mind - The Reflective Mood - Interest in the Arts - Nothing in Life Is Humdrum - Serious Reading - Dangers to Avoid
The Concepts of Music: A Multimedia Resource for Junior Music is an exciting new teaching tool aimed at junior students. The package consists of a CD-ROM, graded worksheets and a DVD featuring performances that will capture students' interest. All the preparation has been done for you, and each item on the DVD and its accompanying worksheet can be used as a lesson on its own or as reinforcement of a topic. The resource offers a sequential introduction to the concepts through a live show packed with drum solos, beat boxing, tap dancing, original music and other innovative collaborations.
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