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A Portrait Of The Artist As A Young Man

RRP $39.99

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This title provides with introductions by Dr Dieter Fuchs and Joseph O'connor. Against the backdrop of nineteenth century Dublin, a boy becomes a man: his mind testing its powers, obsessions taking hold and loosening again, the bonds of family, tradition, nation and religion transforming from supports into shackles; until the young man devotes himself to the celebration of beauty, and reaches for independence and the life of an artist.

About the Author

James Augustine Aloysius Joyce was born on 2 February 1882 in Rathgar, Dublin and educated at Jesuit schools before attending University College, Dublin. After graduating, he left Ireland for Paris, at first to study medicine, but returned home after a year when his mother became ill. Joyce struggled to make a living in Dublin, and soon left the country again, this time in the company of Nora Barnacle, who would be his life-long companion and mother of his two children. Settling in Trieste, Joyce taught English and began once more to write. He published a volume of verse, Chamber Music in 1907, which was followed by Dubliners in 1914, and Portrait of the Artist as a Young Man, which was published serially in the Egoist magazine. These works won Joyce the attention of Ezra Pound, and through Pound, the patronage of publisher Harriet Shaw Weaver. In 1920, Joyce moved to Paris, where he began writing Ulysses, though by now suffering severe difficulties with his sight. Ulysses was published in 1922, and was celebrated as a work of immense literary importance by writers such as T.S.Eliot and Hemingway. It was followed by Finnegan's Wake, published in its completed form in 1939. Joyce and his family fled the German occupation of France by moving to Zurich in 1940, but Joyce's health worsened, and he died on 13 January 1941.


A Portrait Of The Artist As A Young Man

RRP $11.99

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A masterpiece of modern fiction, James Joyce's semiautobiographical first novel follows Stephen Dedalus, a sensitive and creative youth who rebels against his family, his education, and his country by committing himself to the artist's life. "I will not serve," vows Dedalus, "that in which I no longer believe..and I will try to express myself in some mode of life or art as freely as I can." To Dedalus, the artist is like God-one who "remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails." Joyce's rendering of the impressions of childhood broke ground in the use of language. "He took on the almost infinite English language," Jorge Luis Borges once said. "He wrote in a language invented by himself..Joyce brought a new music to English." As a bold literary experiment, this classic has had a huge and lasting influence on the contemporary novel.


@Bildungsroman I'm in college. Cool. But I live at home with mom. That doesn't make me a tool, does it?

Nah, I'm totally cool. Look, I've got this cool tweed hat. Yeah, I'm cool. Totally.

From Twitterature: The World's Greatest Books in Twenty Tweets or Less


A Portrait Of The Artist As A Young Man, And Dubliners

RRP $17.95

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A Portrait of the Artist as a Young Man and Dubliners, by James Joyce, is part of theBarnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:

  • New introductions commissioned from today's top writers and scholars
  • Biographies of the authors
  • Chronologies of contemporary historical, biographical, and cultural events
  • Footnotes and endnotes
  • Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
  • Comments by other famous authors
  • Study questions to challenge the reader's viewpoints and expectations
  • Bibliographies for further reading
  • Indices & Glossaries, when appropriate
All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest.Barnes & Noble Classics pulls together a constellation of influencesbiographical, historical, and literaryto enrich each reader's understanding of these enduring works.Widely regarded as the greatest stylist of twentieth-century English literature,James Joyce deserves the term revolutionary." His literary experiments in form and structure, language and content, signaled the modernist movement and continue to influence writers today. His two earliest, and perhaps most accessible, successesA Portrait of the Artist as a Young Man and Dublinersare here brought together in one volume. Both works reflect Joyce's lifelong love-hate relationship with Dublin and the Irish culture that formed him.

In the semi-autobiographical Portrait, young Stephen Dedalus yearns to be an artist, but first must struggle against the forces of church, school, and society, which fetter his imagination and stifle his soul. The book's inventive style is apparent from its opening pages, a record of an infant's impressions of the world around himand one of the first examples of the stream of consciousness" technique.

Comprising fifteen stories, Dubliners presents a community of mesmerizing, humorous, and haunting charactersa group portrait. The interactions among them form one long meditation on the human condition, culminating with The Dead," one of Joyce's most graceful compositions centering around a character's epiphany. A carefully woven tapestry of Dublin life at the turn of the last century,Dubliners realizes Joyce's ambition to give his countrymen one good look at themselves."Kevin J. H. Dettmar is Professor of English and Cultural Studies at Southern Illinois University Carbondale. He is the author or editor of a half-dozen books on James Joyce, modernist literature, and rock music. He is currently finishing a term as President of the Modernist Studies Association.


Summa Musice

RRP $30.99

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How did medieval musicians learn to perform? How did they compose? What was their sense of the history and purpose of music? The Summa musice, a treatise on practical music from c. 1200, sheds light on all these questions. It is a manual for young singers who are learning Gregorian chant for the first time, and provides a compact but comprehensive introduction to notation, performance, and composition, written in a mixture of Latin prose and verse. More than that, however, it is also an introduction to medieval culture: what educated people believed to be worth knowing about music, how they reasoned when they discussed musical questions, the nature of musical thought and how it was expressed. There has been no edition of the Summa musice since 1784, when Gerbert published a very faulty text. Christopher Page's book provides a completely new edition of the Latin text taken from the only surviving original copy, together with an English translation. Both texts are copiously annotated and introduced by an authoritative and illuminating editorial commentary.


Study An Artist's Work Journal

RRP $18.65

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There are notebooks lying around the studio and a file cabinet stuffed with news, research and ideas. This can be a nightmare organising all that clutter. It is difficult to find that piece you were wanting for your work. Do not loose this information by tossing in the bin to modify. Use a new organisation tool for quick reference to whatever research you have done.

Study an Artist's Work Journal is that organisational tool. In here you can gather information about a particular artist's styles and elements in one spot. There is also a page for attaching articles, sketches and photos for inspiration.

Why do we keep all this information? For several reasons:

  • Art history teaches visual literacy. This means the ability to understand the images we are given on a daily basis and what is being said through them. As artists this also gives us the ability to relay what we mean through images in our artwork. Symbolism within paintings has been used for centuries to render emotion and stories to a viewer.

  • Knowing how the masters of the art world used a space, to give the viewer the perception of space through plans, colour, cross section, etc. It gives us a better understanding of our own methodology to better understanding of our own work.

  • Inspiration! There are times I walk into a museum, see a drawing in a book, or online and my soul dances to it. When my soul dances I feel inspired and want to create pieces that will sing as well.

    There is so much that can be done when you know what the art world is about. It will help in your own work to reflect upon knowledge of masters, current artists, and what opens up your creativity.

    If you are studying more than one type of expression, get a different journal. For example: expressionism, cubism, French artists, English artists.... the possibilities are endless.



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Live Music Live Band Sydney Music Artist
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