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A Portrait Of The Artist As A Young Man, And Dubliners

RRP $17.95

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A Portrait of the Artist as a Young Man and Dubliners, by James Joyce, is part of theBarnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:

  • New introductions commissioned from today's top writers and scholars
  • Biographies of the authors
  • Chronologies of contemporary historical, biographical, and cultural events
  • Footnotes and endnotes
  • Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
  • Comments by other famous authors
  • Study questions to challenge the reader's viewpoints and expectations
  • Bibliographies for further reading
  • Indices & Glossaries, when appropriate
All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest.Barnes & Noble Classics pulls together a constellation of influencesbiographical, historical, and literaryto enrich each reader's understanding of these enduring works.Widely regarded as the greatest stylist of twentieth-century English literature,James Joyce deserves the term revolutionary." His literary experiments in form and structure, language and content, signaled the modernist movement and continue to influence writers today. His two earliest, and perhaps most accessible, successesA Portrait of the Artist as a Young Man and Dublinersare here brought together in one volume. Both works reflect Joyce's lifelong love-hate relationship with Dublin and the Irish culture that formed him.

In the semi-autobiographical Portrait, young Stephen Dedalus yearns to be an artist, but first must struggle against the forces of church, school, and society, which fetter his imagination and stifle his soul. The book's inventive style is apparent from its opening pages, a record of an infant's impressions of the world around himand one of the first examples of the stream of consciousness" technique.

Comprising fifteen stories, Dubliners presents a community of mesmerizing, humorous, and haunting charactersa group portrait. The interactions among them form one long meditation on the human condition, culminating with The Dead," one of Joyce's most graceful compositions centering around a character's epiphany. A carefully woven tapestry of Dublin life at the turn of the last century,Dubliners realizes Joyce's ambition to give his countrymen one good look at themselves."Kevin J. H. Dettmar is Professor of English and Cultural Studies at Southern Illinois University Carbondale. He is the author or editor of a half-dozen books on James Joyce, modernist literature, and rock music. He is currently finishing a term as President of the Modernist Studies Association.

Creating The "divine" Artist From Dante To Michelangelo

RRP $398.99

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Turning a skeptical eye on the idea that Renaissance artists were widely believed to be as utterly admirable as Vasari claimed, this book re-opens the question of why artists were praised and by whom, and specifically why the language of divinity was invoked, a practice the ancients did not license. The epithet "divino" is examined in the context of claims to liberal arts status and to analogy with poets, musicians, and other "uomini famossi." The reputations of Michelangelo and Brunelleschi are compared not only with each other but with those of Dante and Ariosto, of Aretino and of the ubiquitous beloved of the sonnet tradition. Nineteenth-century reformulations of the idea of Renaissance artistic divinity are treated in the epilogue, and twentieth-century treatments of the idea of artistic "ingegno" in an appendix.

A Portrait Of The Artist As A Young Man

RRP $39.99

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This title provides with introductions by Dr Dieter Fuchs and Joseph O'connor. Against the backdrop of nineteenth century Dublin, a boy becomes a man: his mind testing its powers, obsessions taking hold and loosening again, the bonds of family, tradition, nation and religion transforming from supports into shackles; until the young man devotes himself to the celebration of beauty, and reaches for independence and the life of an artist.

About the Author

James Augustine Aloysius Joyce was born on 2 February 1882 in Rathgar, Dublin and educated at Jesuit schools before attending University College, Dublin. After graduating, he left Ireland for Paris, at first to study medicine, but returned home after a year when his mother became ill. Joyce struggled to make a living in Dublin, and soon left the country again, this time in the company of Nora Barnacle, who would be his life-long companion and mother of his two children. Settling in Trieste, Joyce taught English and began once more to write. He published a volume of verse, Chamber Music in 1907, which was followed by Dubliners in 1914, and Portrait of the Artist as a Young Man, which was published serially in the Egoist magazine. These works won Joyce the attention of Ezra Pound, and through Pound, the patronage of publisher Harriet Shaw Weaver. In 1920, Joyce moved to Paris, where he began writing Ulysses, though by now suffering severe difficulties with his sight. Ulysses was published in 1922, and was celebrated as a work of immense literary importance by writers such as T.S.Eliot and Hemingway. It was followed by Finnegan's Wake, published in its completed form in 1939. Joyce and his family fled the German occupation of France by moving to Zurich in 1940, but Joyce's health worsened, and he died on 13 January 1941.

Chinese Music

RRP $16.99

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From the author's INTRODUCTION.

The Chinese have the reputation of being a strange people, with a peculiar language, peculiar institutions, customs, and manners, utterly different from those of our Western countries.

Since Chinese ports were thrown open to foreigners, the influx of visitors of all kinds has continually" increased. Missionaries, diplomats, travelers - some led there by duty, others attracted by the prospect of a new field for studies, and others guided by mere curiosity - have crossed the country in all directions. From these visits has resulted a large number of books - relations of travels, descriptions of country, customs, and manners - books on any subject, all tending to acquaint Western nations with the wonderful Celestial Empire, and, principally, to point out the immense difference existing between Chinese and European ideas.

Amongst the subjects which have been treated with the least success by foreign writers, Chinese Music ranks prominently. If mentioned at all in their books, it is simply to remark that "it is detestable, noisy, monotonous; that it hopelessly outrages our Western notions of music," etc. I do not wish to create any discussions by contradicting these and many other erroneous statements found in descriptions of Chinese Music: it would take too long a time.

In the description I give here I will endeavour to point out the contrasts or similarity between Western and Chinese Music, to present abstruse theories in the least tiresome way, to add details never before published, and to give a short yet concise account of Chinese Music.

I am not pretentious enough to think that my work will be utterly irreproachable. Mistakes are so easily made; and if I have just alluded to the many mistakes which are found in books, it is merely with the intention of showing how careful we must be when writing, and, much more, how indulgent we need be towards the writings of others.

I should deem it unfair not to mention that Mr. Hippisley, one of our Commissioners of Customs, is entitled to my most sincere gratitude for his kindness in reading the manuscript and correcting the many faults which ordinarily slip from one's pen when attempting to write in any but one's own language.

An Atlas Of Commonplace. A Notebook For Artists

RRP $125.00

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Drawing on the rich literary tradition of the aphorism, Pablo Helguera uses an anthropologist's lens to comment on contemporary art its practice. While this is a book directed to visual artists, the reflections of An Atlas of Commonplaces provide a window to current issue around art making for art professionals and the general public alike. Pablo Helguera (Mexico City, 1971) is a visual artist living in New York. He is the author of many books including The Parable Conference, (2014), Education for Socially Engaged Art (2011) and Art Scenes: The Social Scripts of the Art World (2012).


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Live Music Live Band Sydney Music Artist
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